Our view of rough pass is like being in quantum mechanics. To help us be in touch with senses of primal energy, the drawings are freer to finding their organic ways into being, within a general direction given by story intent and a predetermined sense of force.
In tie-down, the raw energy is then encased in definite defined outlines, appearing orderly like looking outward towards movement of the stars.
And like in rough pass, the tie-down lines do have freedom to take shape as they should, but must take cue and build on foundation that has been established by rough pass, with added discipline to bring character into intended model.
Life vibrates, disorderly in definite order, predictable in unpredictability; ONE- made of infinite parts… Subconsciously, these thoughts guide our creative path.
This scene from My Little WORLD was animated by Natalie Kim and tie-down by me